Shine a Light: Reviewed

Summer roc docs guilty pleasure trip continued tonight with Shine a Light, a film directed by Scorsese documenting the Stones’ 2006 Beacon Theatre performance. Unlike usual, this time I watched the doc not on the treadmill but with my lovely parents. We were all freaking floored. They’d seen it when it came out in theaters too but were still floored!

Scorsese managed to rig that whole damn theatre with cameras effectively making a 2 hour concert film a dynamic work of art. Scorsese shows behind the scenes footage of him and his crew as well, a thrill for Scorsese lovers and fans of his thick rimmed glasses. The film is interspersed with incredibly amusing footage of the Stones being interviewed and mouthing off to Japanese and German interviewers. Scorsese expertly shows the youthfulness, sexiness, and joyful spirit of Mick, Keith and Ronnie too.

Mick shines brightest during the film/show. The camera is mostly focused on him and his positively ECSTATIC dancing. Everyone knows Mick has groovy moves, but you kinda forget how incredible he is. He’s also a lot older now so we don’t expect as much. He definitely delivers though. He appears positively possessed with the ghosts of blues and rock n roll past. I found myself hypnotized by his sashaying walks and shaking hips and also the way he interacts with the audience. You keep wondering to yourself how he KEEPS DANCING. It’s glorious! I’ll admit that after the film ended I was dancing around like a lunatic trying to imitate Mick’s crazy hand moves and airy moonwalk.

The Keith Ronnie dynamic is also a highpoint of the film. Scorsese’s many cameras do a wonderful job picking up every wink and gesture. The viewer feels in on the action.

The film/concert also has some beautiful guest appearances! Jack White, Buddy Guy and Christina Aguilera grace the stage and sing the shit out of a few songs with Mick. Buddy absolutely kills and vibes with Keith making you thank god again for the blues.

I loved every minute. 

California

I’m back from LA. It was a truly lovely trip. We went primarily to see the Mapplethorpe retrospective at LACMA and the Getty. The exhibition was absolutely gorgeous. We were also fortunate enough to see Rain Room at LACMA which was totally other-wordly. We also ate very well and saw some sights. Us Californians are lucky to have two cities as incredible as San Francisco and LA. Joni thought so too! I love Joni Mitchell dearly. My mother is a fantastic musician and always sang me and my brother Joni when we were little. California was always one of my favorites.

Moshi Moshi

Brand New has quite a few interesting Japan references in their super early stuff (like Moshi Moshi) and also in their newer stuff (Mene). Moshi Moshi is conceivably the cutest song ever though, and I love it. My ex and I used to sing it together ALL THE TIME. I vividly remember us singing it walking all the way back to his house from Outside Lands last year.  I’ll also say that Moshi Moshi wasn’t ever really released by Brand New. The original version of the song is on an old Brand New / Safety in Numbers split, and an acoustic version is on the “Friends” Fadeaway records collaboration (I have that record in a cool blue black marble!!). Also Tigers Jaw (another band I love) does a dope acoustic cover. Below are some cute Moshi Moshi lyrics.

I know that you’re an angel, 
though you could never stay true 
Hey angel, I think your halo has a screw loose, 
’cause you dropped me like a brick off the rooftop of your high school 
Could I watch the next time you’re applying your eyeliner? 
I waste all my time just thinking of you

Conor Oberst

I discovered Bright Eyes when I was pretty young (before high school) and totally loved them. I worshiped Dylan and saw Conor as a similar beast. I’m Wide Awake It’s Morning, LIFTED, and Fevers and Mirrors (later) were some of my favorite albums. Conor’s lyrics were always so introspective and brutally honest, and his melodies were always folk-punk-indie-bluegrass-rock magic. And then I discovered Conor’s 2008 solo album as a Sophomore when I was going through a tough time. Some of the songs were so brutally heart-wrenching, and I loved it. It felt more sincere and real than most things I’d heard.

And then Conor released his new solo album Upside Down Mountain the summer after that sophomore year. I vividly remember me and my ex-boyfriend being so excited to hear his new music and us listening through the whole thing on the 1-California late at night coming home from a show. What immediately struck us when we heard the first song, “Time Forgot,” was “holy shit Conor isn’t sad anymore.” We were happy for him! Really happy. I felt like I’d been there with him during the depression of his self titled album, and it was wonderful to see him move on to happier times. I love Upside Down Mountain. I think before that album I felt like good lyrics had to be either sad or about romantic love. Conor’s lyrics in that album showed me what else could be good fodder for song. Below are some of my favorite verses from “Hundreds of Ways,” the third song on the album.

What a thing to be a witness to the sunshine
What a dream to just be walking on the ground
What a time to live among the ashen remnants of our love
It came before and I’m still looking for that now

It took centuries to build these twisted cities
It took seconds to reduce them down to dust
And all the tour guide could say was
“Take your pictures folks it’s late, try your best please to remember what was done.”

Don’t look so forlorn
Don’t you look so scared
Don’t get so upset
This world was never fair

But there are hundreds of ways
To get through the days
There are hundreds of ways
Now you just find one

I think part of my problem was I felt like happy lyrics were never legit. Conor’s lyrics in the album are honest about how fucking difficult it can be to be happy, but that it’s POSSIBLE and WORTH it (also, of course, we know from his past albums about his sadness).

Anyways. Conor Oberst is wonderful, and everyone should listen to him beyond just the Bright Eyes stuff.

Dylan for Nighttime

 

Oh, I’m sailin’ away, my own true love
I’m sailin’ away in the morning
Is there something I can send you from across the sea
From the place that I’ll be landing?
–
No, there’s nothin’ you can send me, my own true love
There’s nothin’ I wish to be ownin’
Just carry yourself back to me unspoiled
From across that lonesome ocean
–

Only Dylan could successfully write a really gorgeous and not at all corny question/answer song and not have it sound like it’s straight out of the bible!